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<title>Jonathan Sharp</title>

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<span id="openzim-page-title" class="mw-page-title-main"><span class="mw-page-title-main">Jonathan Sharp</span></span>

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</style><div role="note" class="hatnote navigation-not-searchable">For the English record producer and songwriter Jonathan Peter Sharp, see <a href="Jonny_Dollar" title="Jonny Dollar">Jonny Dollar</a>. For the rugby league coach and player, see <a href="Jon_Sharp" title="Jon Sharp">Jon Sharp</a>.</div>

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</style><table class="infobox vcard plainlist"><tbody><tr><th colspan="2" class="infobox-above" style="color: #202122;background-color: #b0c4de; font-size: 125%;"><div class="musician">Jonathan Sharp</div></th></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Also known as</span></th><td class="infobox-data nickname"><style data-mw-deduplicate="TemplateStyles:r1129693374">

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</style><div class="hlist"><ul><li>New Mind</li><li>Bio-Tek</li><li>The Heartwood Institute</li><li>Psionic</li><li>Tyrophex 14</li><li>Henning Zinoviev & Floating Candles</li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Origin</th><td class="infobox-data"><a href="Cumbria" title="Cumbria">Cumbria</a>, England</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><div class="hlist"><ul><li><a href="Electronic_body_music" title="Electronic body music">Electronic body music</a></li><li><a href="Industrial_music" title="Industrial music">industrial</a></li><li><a href="Electro-industrial" title="Electro-industrial">electro-industrial</a></li><li><a href="Experimental_music" title="Experimental music">experimental</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Occupations</th><td class="infobox-data role"><div class="hlist"><ul><li>Musician</li><li>producer</li><li>sound designer</li></ul></div></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Years active</span></th><td class="infobox-data">1990-present</td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><div class="hlist"><ul><li><a href="Off_Beat_(label)" class="mw-redirect" title="Off Beat (label)">Off Beat</a></li><li><a href="Zoth_Ommog_Records" title="Zoth Ommog Records">Zoth Ommog Records</a></li><li><a href="Machinery_Records" class="mw-redirect" title="Machinery Records">Machinery</a></li><li><a href="Fifth_Colvmn_Records" title="Fifth Colvmn Records">Fifth Colvmn</a></li><li>Reverb Worship</li><li>Doppler Effect</li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Formerly of</th><td class="infobox-data"><div class="hlist"><ul><li><a href="Cyber-Tec_Project" class="mw-redirect" title="Cyber-Tec Project">Cyber-Tec Project</a></li><li><a href="Hexedene" title="Hexedene">Hexedene</a></li><li><a href="Hyperdex-1-Sect" class="mw-redirect" title="Hyperdex-1-Sect">Hyperdex-1-Sect</a></li><li>Takshaka</li><li>Novus</li><li>Barking At Butterflies</li></ul></div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><a rel="nofollow" class="external free" href="https://sonic-boom.com/mission-control/">https://sonic-boom.com/mission-control/</a></td></tr></tbody></table>

<p><b>Jonathan Sharp</b> is an <a href="Electronic_body_music" title="Electronic body music">electronic body music</a> / <a href="Industrial_music" title="Industrial music">industrial</a> musician and professional sound designer from <a href="Cumbria" title="Cumbria">Cumbria</a>, England, who has released music under the names <b>New Mind</b>, <b>Bio-Tek</b>, <b>The Heartwood Institute</b>, and others. He was also a member of the bands <a href="C-Tec" title="C-Tec">Cyber-Tec Project</a>, <a href="Hexedene" title="Hexedene">Hexedene</a>, and Hyperdex-1-Sect.

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<div class="mw-heading mw-heading2"><h2 id="Career">Career</h2></div>

<div class="mw-heading mw-heading3"><h3 id="Early_life">Early life</h3></div>

<p>As a child Jonathan was a classically-trained musician, having played piano and violin.<sup id="cite_ref-haunted-sharp-2021_1-0" class="reference"><a href="#cite_note-haunted-sharp-2021-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> As a teenager taught himself to play guitar<sup id="cite_ref-heartwood-soundware_2-0" class="reference"><a href="#cite_note-heartwood-soundware-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and his interests began drifting from classical music towards experimental guitar oriented music in the vein of <a href="Swans_(band)" title="Swans (band)">Swans</a>, as well as early industrial and electronic music including <a href="Neu!" title="Neu!">Neu!</a> and <a href="Helden_(band)" title="Helden (band)">Helden</a>.<sup id="cite_ref-sonic-boom-1996_3-0" class="reference"><a href="#cite_note-sonic-boom-1996-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Drawing on a fascination with the work of the <a href="BBC_Radiophonic_Workshop" title="BBC Radiophonic Workshop">BBC Radiophonic Workshop</a>, Jonathan eventually acquired a <a href="Roland_Corporation" title="Roland Corporation">Roland</a> synthesizer in order to make sounds of his own.<sup id="cite_ref-haunted-sharp-2021_1-1" class="reference"><a href="#cite_note-haunted-sharp-2021-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup>

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<p><b>New Mind</b> was formed as a solo project of Jonathan Sharp in 1990. Prior to creating New Mind, Jonathan played guitar and sampler in an experimental band where he thought of electronic and industrial musics as being distinct. It was when Jonathan took a suggestion to listen to <a href="Skinny_Puppy" title="Skinny Puppy">Skinny Puppy</a> that he had a revelation that led to the creation of New Mind.<sup id="cite_ref-sonic-boom-1996_3-1" class="reference"><a href="#cite_note-sonic-boom-1996-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>

</p><p>The first New Mind demo, <i>Bacteriophage</i>, was recorded on 4-track in 1991.<sup id="cite_ref-sonic-boom-1996_3-2" class="reference"><a href="#cite_note-sonic-boom-1996-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> This was followed by the EP <i>Body Politic</i> which was released by the Sadisque,<sup id="cite_ref-mfteq_4_4-0" class="reference"><a href="#cite_note-mfteq_4-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> an imprint of the UK-based <a href="Vinyl_Solution" title="Vinyl Solution">Vinyl Solution</a> label. New Mind was initially offered an expanded record deal with Sadisque but the deal fell through. Jonathan contributed tracks to several compilations during the following year including releases by Sentrax Records, Dossier, and The Empty Quarter before being signed to <a href="Machinery_Records" class="mw-redirect" title="Machinery Records">Machinery Records</a> in 1993.<sup id="cite_ref-culture_shock_1_97_5-0" class="reference"><a href="#cite_note-culture_shock_1_97-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>

</p><p>The first New Mind album, <i>Fractured</i>, was released by Machinery Records in 1993. This was the only release on Machinery as the label did not find the initial material for the second album, <i>Zero To The Bone</i>, to their liking.<sup id="cite_ref-culture_shock_1_97_5-1" class="reference"><a href="#cite_note-culture_shock_1_97-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> <i>Zero To The Bone</i> was eventually released by Fifth Colvmn Records in 1995.<sup id="cite_ref-musicbrainz-zero_6-0" class="reference"><a href="#cite_note-musicbrainz-zero-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-sonic-boom-zero-review_7-0" class="reference"><a href="#cite_note-sonic-boom-zero-review-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> While <i>Fractured</i> displayed the obvious influence of Skinny Puppy with a more straightforward EBM and electro style, <i>Zero</i> explored a wider variety of electronic music styles infused with guest female vocalists.<sup id="cite_ref-industrialnation14_8-0" class="reference"><a href="#cite_note-industrialnation14-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup>

</p><p>After setbacks with both Fifth Colvmn and Cyber-Tec, Jonathan sent initial demos of tracks from <i>Forge</i> to Stefan Herwig at <a href="Off_Beat_(label)" class="mw-redirect" title="Off Beat (label)">Off Beat</a>. This led to a multi-album deal with Off Beat.<sup id="cite_ref-culture_shock_1_97_5-2" class="reference"><a href="#cite_note-culture_shock_1_97-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading3"><h3 id="Cyber-Tec_Project">Cyber-Tec Project</h3></div>

<div role="note" class="hatnote navigation-not-searchable">Main article: <a href="Cyber-Tec_Project" class="mw-redirect" title="Cyber-Tec Project">Cyber-Tec Project</a></div>

<p>In 1995, Jonathan became a founding member of <a href="C-Tec" title="C-Tec">Cyber-Tec Project</a> along with <a href="Jean-Luc_De_Meyer" title="Jean-Luc De Meyer">Jean-Luc De Meyer</a> and <a href="Ged_Denton" class="mw-redirect" title="Ged Denton">Ged Denton</a>. Jonathan was unexpectedly replaced in the band by <a href="Marc_Heal" title="Marc Heal">Marc Heal</a> after the release of the band's first album.<sup id="cite_ref-culture_shock_1_97_5-3" class="reference"><a href="#cite_note-culture_shock_1_97-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>

</p>

<p>Jonathan considered New Mind to be his main musical project and did not wish to constrain his musical output under that name to any particular genre or style. His affinity for "European" EBM, however, led him to develop a second solo project, <b>Bio-Tek</b>, as an outlet for that particular style.<sup id="cite_ref-sonic-boom-1996_3-3" class="reference"><a href="#cite_note-sonic-boom-1996-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> While he was releasing music as New Mind on Off Beat, Jonathan secured a deal with seminal German record label, <a href="Zoth_Ommog_Records" title="Zoth Ommog Records">Zoth Ommog</a>, to release music as Bio-Tek.<sup id="cite_ref-culture_shock_1_97_5-4" class="reference"><a href="#cite_note-culture_shock_1_97-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> The first two albums, <i>A God Ignored Is A Demon Born</i> and <i>Darkness My Name Is</i> were released on Zoth Ommog, after which Sharp moved the project to Doppler Effect Records due to friction with new Zoth Ommog head Torben Schmidt.<sup id="cite_ref-indus_nation_17_9-0" class="reference"><a href="#cite_note-indus_nation_17-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup>

</p>

<div class="mw-heading mw-heading3"><h3 id="Hyperdex-1-Sect">Hyperdex-1-Sect</h3></div>

<p>The relationship with Zoth Ommog via Bio-Tek led to a collaboration between Jonathan and André Schmechta of <a href="X_Marks_the_Pedwalk" title="X Marks the Pedwalk">X Marks the Pedwalk</a> that became Hyperdex-1-Sect. Their album <i>Metachrome</i> was released by <a href="Synthetic_Symphony" class="mw-redirect" title="Synthetic Symphony">Synthetic Symphony</a> in 1997 and featured tracks that Jonathan had originally written for Cyber-Tec Project, reconstructed by André and reformatted with female vocals.<sup id="cite_ref-culture_shock_1_97_5-5" class="reference"><a href="#cite_note-culture_shock_1_97-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading3"><h3 id="Hexedene">Hexedene</h3></div>

<div role="note" class="hatnote navigation-not-searchable">Main article: <a href="Hexedene" title="Hexedene">Hexedene</a></div>

<p>In 1997, Jonathan formed <a href="Hexedene" title="Hexedene">Hexedene</a> with Katie Helsby and Ian Palmer.<sup id="cite_ref-sonic-boom-1996_3-4" class="reference"><a href="#cite_note-sonic-boom-1996-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> The band received praise for layering a <a href="Techno" title="Techno">techno</a> sound with <a href="Gothic_rock" title="Gothic rock">gothic</a>, <a href="Industrial_music" title="Industrial music">industrial</a> and <a href="Pop_music" title="Pop music">pop music</a> leanings.<sup id="cite_ref-lollipopmagazine_10-0" class="reference"><a href="#cite_note-lollipopmagazine-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup>

</p>

<div class="mw-heading mw-heading3"><h3 id="Production_&_Remixes">Production & Remixes</h3></div>

<p>During the 1990s, Jonathan produced many remixes as New Mind for bands such as Aïboforcen, <a href="Birmingham_6_(band)" title="Birmingham 6 (band)">Birmingham 6</a>, Scar Tissue, Inertia, Aghast View, and <a href="Attrition_(band)" title="Attrition (band)">Attrition</a>. He also recorded many one-off compilation tracks under various names, including: Datura, Gunhed,<sup id="cite_ref-sonic-boom-1996_3-5" class="reference"><a href="#cite_note-sonic-boom-1996-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Lashtal,<sup id="cite_ref-culture_shock_1_97_5-6" class="reference"><a href="#cite_note-culture_shock_1_97-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Nova, Psionic, Tyrophex 14, Vent, and Zodiac.

</p>

<div class="mw-heading mw-heading3"><h3 id="The_Heartwood_Institute">The Heartwood Institute</h3></div>

<p>Beginning in 2015, Jonathan began releasing <a href="1970s-inspired" class="mw-redirect" title="1970s-inspired">1970s-inspired</a>, "haunting" music under the name <i>The Heartwood Institute</i>. As Heartwood, Jonathan explores occult and magical themes in a more downtempo-oriented music format.<sup id="cite_ref-haunted-sharp-2021_1-2" class="reference"><a href="#cite_note-haunted-sharp-2021-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Jonathan began performing live at themed events as Heartwood beginning in 2017.<sup id="cite_ref-heartwood-debut_11-0" class="reference"><a href="#cite_note-heartwood-debut-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup>

</p>

<div class="mw-heading mw-heading3"><h3 id="Library_music_and_solo_recordings">Library music and solo recordings</h3></div>

<p>By the year 2000, Jonathan discovered <a href="Production_music" title="Production music">library music</a><sup id="cite_ref-haunted-sharp-2021_1-3" class="reference"><a href="#cite_note-haunted-sharp-2021-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> and began making recordings for hire under his own name on behalf of many publishers including his own company, Summer Witch Music.<sup id="cite_ref-summer-witch-commercial_12-0" class="reference"><a href="#cite_note-summer-witch-commercial-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Over the next several years Jonathan temporarily ceased his commercial music production in deference to his new career.

</p><p>Contemporary with his work as The Heartwood Institute, Jonathan embarked on recordings under his own name of "elegaic piano-led pieces" with an autobiographical theme inspired by photographs taken during his childhood.<sup id="cite_ref-haunted-divided-time_13-0" class="reference"><a href="#cite_note-haunted-divided-time-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> His release <i>Divided Time</i> focuses his childhood years of 1970—1977 when he would split his time between his parents' houses in London and Cumbria.<sup id="cite_ref-louder-divided-time_14-0" class="reference"><a href="#cite_note-louder-divided-time-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup>

</p>

<div class="mw-heading mw-heading3"><h3 id="Henning_Zinoviev_&_Floating_Candles">Henning Zinoviev & Floating Candles</h3></div>

<p>In 2022, Sharp produced a pair of releases inspired by classic 1970s era horror soundtracks under the name "Henning Zinoviev & Floating Candles."<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup>

</p>

<div class="mw-heading mw-heading2"><h2 id="Discography">Discography</h2></div>

<ul><li><i>Body Politic</i> (12" EP, 1991, Sadisque)</li>

<li><i>Fractured</i> (CD, 1993, <a href="Machinery_Records" class="mw-redirect" title="Machinery Records">Machinery Records</a>, Think Tank)</li>

<li><i>Zero to the Bone</i> (CD, 1995, <a href="Fifth_Colvmn_Records" title="Fifth Colvmn Records">Fifth Colvmn Records</a>)</li>

<li><i>Forge</i> (CD, 21 October 1997, <a href="21st_Circuitry" title="21st Circuitry">21st Circuitry</a>, <a href="Off_Beat_(label)" class="mw-redirect" title="Off Beat (label)">Off Beat</a>)</li>

<li><i>Deepnet</i> (CD, 1998, <a href="Off_Beat_(label)" class="mw-redirect" title="Off Beat (label)">Off Beat</a>, Gashed!) – #18 <a href="CMJ" title="CMJ">CMJ</a> RPM Charts, U.S.<sup id="cite_ref-cmj-08-99_16-0" class="reference"><a href="#cite_note-cmj-08-99-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup></li>

<li><i>Phoenix</i> (CD, 2001, Doppler Effect)</li></ul>

<ul><li><i>A God Ignored Is A Demon Born</i> (CD, 1996, <a href="Zoth_Ommog_Records" title="Zoth Ommog Records">Zoth Ommog</a>, <a href="Cleopatra_Records" title="Cleopatra Records">Cleopatra</a>)</li>

<li><i>Darkness My Name Is</i> (CD, 1997, Zoth Ommog)</li>

<li><i>Punishment For Decadence</i> (CD, 1999, Doppler Effect, Wire Productions) – #15 CMJ RPM Charts, U.S.<sup id="cite_ref-cmj-01-00_17-0" class="reference"><a href="#cite_note-cmj-01-00-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup></li>

<li><i>The Ceremony Of Innocence</i> (CD, 2002, Doppler Effect, Wire Productions)</li></ul>

<div class="mw-heading mw-heading3"><h3 id="As_Barking_At_Butterflies">As Barking At Butterflies</h3></div>

<ul><li><i>Disappear With The Stars</i> (CD EP, 2008, Lakeland Records)</li>

<li><i>Armor Plated</i> (digital, 2011, Doppler Effect)</li></ul>

<div class="mw-heading mw-heading3"><h3 id="As_The_Heartwood_Institute">As The Heartwood Institute</h3></div>

<ul><li><i>Astercote</i> (CD, 2015, Reverb Worship)</li>

<li><i>The Wild Hunt Of Hagworthy</i> (CDr, 2015, Reverb Worship)</li>

<li><i>Calder Hall: Atomic Power Station</i> (CDr, 2016, Reverb Worship)</li>

<li><i>Mix Tape One</i> (Cass, 2017, The Heartwood Institute)</li>

<li><i>The Whispering Knights</i> (CDr, 2017, Reverb Worship)</li>

<li><i>Secret Rites</i> (LP/digital, 2018, Polytechnic Youth)</li>

<li><i>Barsham Faire</i> (7" single, 2018, Polytechnic Youth)</li>

<li><i>The Divided Self</i> (EP, 2018, Sleep FUSE)</li>

<li><i>Tomorrow's People</i> (LP, 2019, Polytechnic Youth)</li>

<li>w/ Tomorrow Syndicate, <i>The Home Current Remixes</i> (7" single, 2019, Polytechnic Youth)</li>

<li>w/ Panamint Manse, <i>Parapsychedelia</i> (LP, 2020, Castles in Space)</li>

<li><i>Lovely Lightning / Ringstone Round</i> (7" single/digital, 2020, Sleep FUSE)</li>

<li><i>Witchcraft Murders</i> (LP, 2021, Library Of The Occult)</li>

<li>w/ Hawksmoor, <i>Concrete Island</i> (Cass/digital, 2021, Spun Out Of Control)</li>

<li><i>Land Of The Lakes</i> (LP, 2021, Castles in Space)</li>

<li><i>Noah's Castle</i> (7" single, 2021, Library Of The Occult)</li>

<li><i>Mardale</i> (CDr, 2022, Sleep FUSE)</li>

<li><i>The Carhullan Army</i> (Cass, 2022, Bibliotapes)</li>

<li><i>Witch Phase Four</i> (CDr, 2022, Sleep FUSE)</li>

<li><i>Hedges</i> (Cass, 2022, Woodford Halse)</li>

<li><i>Conqueror Worm</i> (7" single, 2022, Feral Child Records)</li></ul>

<div class="mw-heading mw-heading3"><h3 id="As_Jonathan_Sharp">As Jonathan Sharp</h3></div>

<ul><li><i>Titanium Rain, Episode One (Dramatized)</i> (LP/digital, 2011, AudioComics)</li>

<li><i>Divided Time</i> (LP/digital, 2019, Castles in Space)</li>

<li><i>Kensington, 1974 / Kendal Steam Gathering, 1975</i> (7" single, 2019, Castles in Space)</li>

<li><i>Niavka</i> (Soundtrack, Cass, 2023, Spun Out Of Control)</li></ul>

<div class="mw-heading mw-heading3"><h3 id="As_Henning_Zinoviev_&_Floating_Candles">As Henning Zinoviev & Floating Candles</h3></div>

<ul><li><i>Die Nude For Satan</i> (Soundtrack, 2022, Library Of The Occult)</li>

<li><i>La Quinta Vittima</i> (Soundtrack, 2022)</li></ul>

<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>

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</style><cite id="CITEREFFischer2021" class="citation web cs1">Fischer, Bob (23 March 2021). <a rel="nofollow" class="external text" href="https://hauntedgeneration.co.uk/tag/jonathan-sharp/">"Jonathan Sharp, The Heartwood Institute and Witchcraft Murders"</a>. <i>The Haunted Generation</i><span class="reference-accessdate">. Retrieved <span class="nowrap">24 August</span> 2021</span>.</cite></span>

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<li id="cite_note-musicbrainz-zero-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-musicbrainz-zero_6-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://musicbrainz.org/release/b018b16b-6122-462f-bdbd-c647edc9dc26"><i>Zero to the Bone</i></a> at <a href="MusicBrainz" title="MusicBrainz">MusicBrainz</a></span>

</li>

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<li id="cite_note-industrialnation14-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-industrialnation14_8-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFMaher1997" class="citation journal cs1">Maher, Sharon (1997). Valerio, Paul A. (ed.). <a rel="nofollow" class="external text" href="https://archive.org/details/IndustrialNation14">"New Mind"</a>. <i>Industrialnation</i>. <b>1</b> (14). Moon Mystique: 44. <a href="ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1062-449X">1062-449X</a>.</cite></span>

</li>

<li id="cite_note-indus_nation_17-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-indus_nation_17_9-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFVigler2003" class="citation magazine cs1">Vigler, Vig, ed. (2003). <a rel="nofollow" class="external text" href="https://archive.org/details/0277-001-1">"Bio-tek"</a>. <i><a href="Industrialnation" title="Industrialnation">Industrialnation</a></i>. No. 17. Oakland, CA. pp. <span class="nowrap">76–</span>77. <a href="ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1062-449X">1062-449X</a>.</cite></span>

</li>

<li id="cite_note-lollipopmagazine-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-lollipopmagazine_10-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFHefflon1998" class="citation journal cs1">Hefflon, Scott (1 September 1998). <a rel="nofollow" class="external text" href="https://lollipopmagazine.com/1998/09/hexedene-choking-on-lilies-review/">"Hexedene: <i>Choking in Lilies</i>"</a>. <i>Lollipop Magazine</i><span class="reference-accessdate">. Retrieved <span class="nowrap">21 July</span> 2020</span>.</cite></span>

</li>

<li id="cite_note-heartwood-debut-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-heartwood-debut_11-0">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.timesandstar.co.uk/news/17021039.debut-live-appearance-for-1970s-inspired-recording-project/">"Debut live appearance for 1970s-inspired recording project"</a>. <i>Times and Star</i>. Newsquest Media Group Ltd. 26 June 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">4 January</span> 2021</span>.</cite></span>

</li>

<li id="cite_note-summer-witch-commercial-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-summer-witch-commercial_12-0">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.stockmusicsite.com/stockmusic/artist/sounds.cfm/artist_iid.5942">"Summer Witch Music"</a>. <i>Stock Music Site</i><span class="reference-accessdate">. Retrieved <span class="nowrap">24 August</span> 2021</span>.</cite></span>

</li>

<li id="cite_note-haunted-divided-time-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-haunted-divided-time_13-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFFischer2019" class="citation web cs1">Fischer, Bob (8 June 2019). <a rel="nofollow" class="external text" href="https://hauntedgeneration.co.uk/2019/06/08/divided-time-jonathan-sharp-and-faded-polaroids/">"Divided Time, Jonathan Sharp and faded Polaroids"</a>. <i>The Haunted Generation</i><span class="reference-accessdate">. Retrieved <span class="nowrap">24 August</span> 2021</span>.</cite></span>

</li>

<li id="cite_note-louder-divided-time-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-louder-divided-time_14-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFTucker2019" class="citation web cs1">Tucker, Simon (18 July 2019). <a rel="nofollow" class="external text" href="https://louderthanwar.com/jonathan-sharp-divided-time-album-review/">"Jonathan Sharp: Divided Time – album review"</a>. <i>Louder Than War</i><span class="reference-accessdate">. Retrieved <span class="nowrap">24 August</span> 2021</span>.</cite></span>

</li>

<li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><cite id="CITEREFDaniels2023" class="citation web cs1">Daniels, Richard (15 January 2023). <a rel="nofollow" class="external text" href="https://www.occultariaofalbion.com/post/1130622874763/interview-the-heartwood-institute">"Interview: The Heartwood Institute"</a>. <i>The Occultaria Of Albion</i><span class="reference-accessdate">. Retrieved <span class="nowrap">29 March</span> 2023</span>.</cite></span>

</li>

<li id="cite_note-cmj-08-99-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-cmj-08-99_16-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFComer1999" class="citation journal cs1">Comer, M. Tye (30 August 1999). <a rel="nofollow" class="external text" href="https://worldradiohistory.com/Archive-All-Music/CMJ/1999/CMJ-1999-08-30.pdf">"RPM"</a> <span class="cs1-format">(PDF)</span>. <i><a href="CMJ" title="CMJ">CMJ New Music Report</a></i>. <b>59</b> (633). Great Neck, NY: College Media, Inc.: 29. <a href="ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0890-0795">0890-0795</a><span class="reference-accessdate">. Retrieved <span class="nowrap">7 January</span> 2022</span>.</cite></span>

</li>

<li id="cite_note-cmj-01-00-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-cmj-01-00_17-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFComer2000" class="citation journal cs1">Comer, M. Tye (31 January 2000). <a rel="nofollow" class="external text" href="https://worldradiohistory.com/Archive-All-Music/CMJ/2000/CMJ-2000-01-31.pdf">"RPM"</a> <span class="cs1-format">(PDF)</span>. <i><a href="CMJ" title="CMJ">CMJ New Music Report</a></i>. <b>61</b> (651). Great Neck, NY: College Media, Inc.: 27. <a href="ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0890-0795">0890-0795</a><span class="reference-accessdate">. Retrieved <span class="nowrap">13 January</span> 2022</span>.</cite></span>

</li>

</ol></div></div>

<div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div>

<ul><li><a rel="nofollow" class="external text" href="https://www.discogs.com/artist/Jonathan+Sharp">Jonathan Sharp</a> discography at <a href="Discogs" title="Discogs">Discogs</a></li>

<li><a rel="nofollow" class="external text" href="https://soundcloud.com/js9">Jonathan Sharp</a> on <a href="SoundCloud" title="SoundCloud">SoundCloud</a></li></ul>

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</style><div id="C-Tec152" class="fn org" style="font-size:114%;margin:0 4em"><a href="C-Tec" title="C-Tec">C-Tec</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div>

<ul><li><b><a href="Jean-Luc_De_Meyer" title="Jean-Luc De Meyer">Jean-Luc De Meyer</a></b></li>

<li><b>Ged Denton</b></li>

<ul><li><a href="Jonathan_Sharp_(musician)" class="mw-redirect" title="Jonathan Sharp (musician)">Jonathan Sharp</a></li></ul>

</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><i><a href="Darker_(album)" title="Darker (album)">Darker</a></i> (1997)</li>

</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">EPs</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><i><a href="Cyber-Tec" title="Cyber-Tec">Cyber-Tec</a></i> (1995)</li></ul>

</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Compilations</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><i><a href="Darker/Cut" title="Darker/Cut">Darker/Cut</a></i> (2018)</li></ul>

</div></td></tr></tbody></table></div>

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</style></div><div role="navigation" class="navbox authority-control" aria-label="Navbox581" style="padding:3px"><table class="nowraplinks hlist navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Authority control databases: Artists </th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Jonathan Hodgson Sharp (production music composer)"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/caf779c5-8edc-4257-be60-51ef7ceac53d">MusicBrainz</a></span></span></li></ul></div></td></tr></tbody></table></div></div><div><div class="zim-footer">

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